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    • CommentAuthorSoph
    • CommentTimeJul 9th 2008
     
    NETTLE QUESTION: I tried finding the threads for spinning in a couple of nettle stalks yesterday, but all I got was a hollow husk lined with a white pith (I think). What are you supposed to spin/twist into string ?

    Hi Eve
    It's the outer part - as you work it you'll see that it separates into fibers. It works best if you dry it and re-wet it, but you can do it fresh, you just get slimy hands. For a full instruction sheet from our last YAC leaders weekend go you http://www.britarch.ac.uk/yac/leaderdocs/leaders2008/20_Nettle_and_String.pdf
    Soph
    •  
      CommentAuthorRay B
    • CommentTimeJul 9th 2008
     
    Hello All,
    I have just come in from my very wet backgarden to try the technique described. Looks like the younger growth is easier to work with (less pithy).
    Got just about enough string to tie my shoelaces (only one shoe). It is VERY strong, I am very impressed for a first try. My hands now smell very 'green'.
    I will try again when the sun shines.
    Ray
    • CommentAuthorEve
    • CommentTimeJul 9th 2008
     
    Hi Soph, I just ran off the pages. I'll give it a try when it isn't pouring with rain (and maybe when I can scrounge a pair of gloves first; I gather nettles can be picked and handled gloveless but I haven't developed the technique yet).
    • CommentAuthorSoph
    • CommentTimeJul 10th 2008
     
    I do recommend gloves. The other thing you can do is cut them off, and leave them on the ground to wither for a day or two before you pick them up - then they don't sting!
    Soph
    •  
      CommentAuthorNoz
    • CommentTimeJul 10th 2008
     
    Hey Soph

    Will you come over for the soiree du punch the week after next? This it is the 25th July or so. It will be extra fun i'm sure and you can stay in my tent if you need to. I believe Erica will be there.

    Noz xx
    • CommentAuthorSoph
    • CommentTimeJul 11th 2008
     
    Well in that case you never know I might! Acctually it would be quite hard, because it's just before the YAC Holiday. (You have all remembered that they're coming haven't you? Bet you haven't!)
    But I might - are you still around for the closing days, because that might be easier?
    Soph
    •  
      CommentAuthorNoz
    • CommentTimeJul 11th 2008
     
    Yeah i'll still be there then - looking forward to seeing you soon xx
    •  
      CommentAuthorphil
    • CommentTimeJul 13th 2008
     
    Hi Eve, I left a few pairs of gloves in the tool shed when I left on Friday. Blue neoprene gloves with a cotton back and wrist. They are all in smaller (ladies) sizes, 7 + 8. If they fit you are welcome to them. I know the problem with nettles they cause me real problems, I am much more sensitive to the sting than most, almost to the point of anaphylaxis. Gloves are a must for me.
    Phil.
    • CommentAuthorEve
    • CommentTimeJul 15th 2008
     
    Hi Phil,
    Thanks for the gloves. I have managed to pick nettles bare-handed but it's not much fun. I've presently got some in a bucket of water, waiting to find out how long it takes for them to be retted.
    Eve
    • CommentAuthorEve
    • CommentTimeJul 15th 2008
     
    Soph, I managed to make a short bit of twine out of nettles, but it was very time-consuming getting the pith removed and recovering the bark. It must be a hell of a job getting enough bark to make cloth. Also, I found the reult rather course and scratchy so I wonder how it was rendered fine enough for wearing.
    • CommentAuthorSoph
    • CommentTimeJul 15th 2008
     
    Hi Eve
    We're back to the same thing - this is twine, it's not the thread you would use for weaving, which is made by a different process. You can get cotton twine, but you don't use it to make shirts with! If you want a weaving thread you need to rett the nettles, beat them, comb out the fibers and spin them into a thread - ply that thread or not depending on the weight you need, and finally weave it on a suitable loom. Twine would only be worn as espadrille type shoe soles, outer rainproof layers like capes, basketwork backpacks etc so it could be a bit scratchy without it mattering. Mind you it does get smoother, and speedier, if you use dried and soaked stems (they separate much more easily as well), and of course as you get more practiced - Joy (who wrote the notes) makes much finer twine than me!
    Does that make sense?
    Soph
    (PS: I hope the water in your bucket is from Reedam? You need the bacteria, so tap probably won't work. And I hope it's out of smelling distance!)
    • CommentAuthorEve
    • CommentTimeJul 17th 2008
     
    Ackk !
    Hi Soph. Yes, your answer does make things clearer to me. I got muddled somewhere a long the way about there being two different processes to make twine and thread. I have been using tap water for retting; I didn't realise bacteria were involved. Guess I'll have to start over. Is there a step between "beat them" and "comb out the fibres" ? Or does combing out the fibres get rid of the pith ? Or does retting do that ?
    • CommentAuthorSoph
    • CommentTimeJul 18th 2008
     
    Hi Eve
    The retting uses natural bacteria to break down the outer coating of the stalks, which is a bit waxy, and then separate the connective tissue between the pith and the bark. That's why it's stinky - retting is just an older spelling of rotting! When you pull the bundle out, you lay them on a stone and whack the heck out of them with a wooden mallet (ideally the old fashioned sort which is shaped like a small club - so a thick stick would do). If they have retted enough, the pith will basically disintegrate as you do this, and if you chuck a bit of water over them it will literally wash away. You are left with a bundle of course fibers, a bit finer than the hand pulled ones, but still not spinnable. You then need an iron comb, a bit like a tiny garden rake, with which you separate the strands down and get then all lying in the same direction. The whole process removes the remaining vegetable component and leaves you with a bunch of silky, yellowish fibers a bit like corn silk to look at. It's a highly skilled job, as is the spinning and weaving of linen. Raw linen cloth then has to be fulled (cleaned and bleached, by sunlight or using ammonia from urine) and funally smoothed with hot glass irons. It's all much harder than processing wool, which is a very forgiving fiber, because the individual fibers are smooth and silky not barbed so they have no natural desire to stick together! The process is the same for all the linens - hemp, nettle, or flax. Evidence suggest it was not carried out in every community, unlike wool spinning, and it was obviously regarded as a lifelong specialism for some people. My feeling is in the absence of strong evidence to the contrary you'd have to think of the Sedgeford community buying/bartering for linen and perhaps only making their own string at home.

    Right, this is about the limit of my linen expertise - I'm very happy to look up more detail but after this I'll just be reporting what others say. I'll look forward to seeing how you go from here!

    Soph
    • CommentAuthorEve
    • CommentTimeJul 23rd 2008
     
    Hi Soph,

    Thanks fro the explanation. I have a much clearer idea now. I don't have what you'd call a bundle of stalks retting, just a few. I used tap water but there was dried mud lining the bucket and the stalk I pulled out the other day was pretty stinky, so maybe there are enough bacteria to do the job. I didn't think to bring a metal comb with me, but even if I get the uncombed fibres by the method you describe it will give me some idea of what they're like.
    It's much easier just to go to Marks and Sparks !
    Eve
    • CommentAuthorSoph
    • CommentTimeJul 23rd 2008
     
    Indeed! I may be able to have a look on Friday and see how you're getting on - but if it's stinky it should be working.
    S
    •  
      CommentAuthorphil
    • CommentTimeAug 8th 2008
     
    Pottery question. Can anyone give the rough dates when the various types of pottery found at Sedgeford were being made/used? Ipswich ware, Thetford ware, Shelly ware (sometimes called St. Neots ware) and Grimston ware. I have seen a reference to a site at Brancaster which may have been a major industrial site for the production of Romano-British or Romano-Saxon and maybe later Anglo-Saxon pottery. Certainly pots were being made there in the post Roman period. Could this be the source of Sedgefords pottery?
    thanks, Phil.
    • CommentAuthorOld Nic
    • CommentTimeAug 10th 2008
     
    Hello, Phil, interested about Brancaster site.. where did you find the reference?
    •  
      CommentAuthorphil
    • CommentTimeAug 10th 2008
     
    The Brancaster reference is in "The English Settlements" by J.N.L.Myres. Again like Stenton Part of the Oxford History of England, first published 1986. It would be nice if the Brancaster reference really meant Sedgeford.
    Incidentally check out page 118 figure 'g'. I would like to think that my plain iron buckle formed part of a brooch, the shape is remarkably similar.
    • CommentAuthorSoph
    • CommentTimeAug 11th 2008 edited
     
    Hi Phil - don't think we met, but I'm happy to stick in an oar as usual... My books are at home and I'm at work, but if i remember correctly there's no overlap with the proposed Brancaster site and the current Sedgeford pottery assemblage (I say current, because of this issue with there maybe being more pre-conversion pottery than we think, but until that's definitive we really don't have much pre 8th century on the main site). I also think Myres over eggs what the Brancaster site might be, and although 'settlements' was rewritten in 1986, there are still quite a lot of ideas in it taken straight from his earlier work of 1936 (yes..that's right, 1936!) Sorry to sound negative, but I'll get some details for you tonight if I can.
    Soph
    • CommentAuthorJerry
    • CommentTimeAug 11th 2008 edited
     
    Some interesting sites on medieval pottery can be found at http://www.spoilheap.co.uk/ and http://www.medievalpottery.org.uk/

    Ipswich ware was made during the Middle Saxon period in Ipswich, manufacture does not seem to have spread to any sites but examples of this type are found thruoghout the ancient Kingdom of East Anglia.

    Thetford ware is from the Late Saxon period, it is named after first manufacturing site to be identified but is believed to have orginated from Ipswich and developed from Ipswich ware. Manufacture of this type spread to other sites including Thetford, Norwich & Grimston.

    Grimstom Ware is Early medieval, originally manufactured in Grimston which is a village southwest of Sedgeford. Early examples of Grimston ware are difficult to distinguish from Thetford ware.

    I could find no mention of Brancaster as a manufacturing site at either of those websites.
    •  
      CommentAuthorphil
    • CommentTimeAug 11th 2008
     
    my mistake, I misread the key to the map I was looking at. Brancaster is listed as a site where frisian pottery has been found at the Saxon shore fort. Not as a manufacturing site for Frisian type pottery.
    Thanks again for the web addresses. Keep them coming, I am soaking all this anglo-saxon stuff up like a sponge. I liked the Wuffingas site, the map showing the extent of the wash where it becomes Whittlesea mere was interesting.
    Just a quickie though,roughly when does middle saxon become late saxon and for that matter when does early saxon become middle saxon? It could be that these headings were given to different times of migration. New manufacturing processes and new tastes creating different styles of pottery?
    • CommentAuthorJerry
    • CommentTimeAug 11th 2008 edited
     
    Not as easy a question answer as you might think. There seem to be many views from many authors.

    A popular boundary between early and middle saxon is the conversion to Christianity which would have been completed sometime after the mission of St Augustine in 597AD. Others place the boundary at the formation of the seven English Kingdoms which may have been somewhat later. So the boundary lies somewhere between 600 and 650 AD.

    The most popular boundary between middle & late seems to be the rise to dominance by the Kings of Wessex and the formation of 'England', somewhere between 850 and 900 AD. This could have happened a lot earlier, the Mercians were rising to dominate the English lowlands in the 8th century but their expansion was brought to a complete halt by the Viking invasions.

    The advances in pottery manufacture are not a very good guide to historical period, except in places like East Anglia as there was great variation between regions. Only in East Anglia & Northumbria was there a progression from locally manufactured hand made wares through to centrally manufactured slow & fast wheel made wares. In many other areas crude locally made wares were used throughout the period and in some areas such as western Mercia no pottery was used at all between the Roman & Medieval periods.
    • CommentAuthorSoph
    • CommentTimeAug 11th 2008
     
    Argh... not the fast and slow wheel again! This is a major personal bugbear of mine.
    A potters wheel is a potters wheel if it throws, that is to say if the clay is flung outwards by centrifugal force. If it doesn't it's just a turntable - which is a useful aid in finishing hand built pottery, but the pot is still hand built and not thrown. (Any rilling that appears will be surface only, and not reflected in a directionality of any inclusions visible in the cross section.) Apart from this distinction there is not difference in the pottery produced on different speeds of wheel. A good potter will cause the wheel to move at different speeds depending on what s/hes doing anyway.
    Sorry, will go and find my pills now...
    Soph
    •  
      CommentAuthorphil
    • CommentTimeAug 13th 2008
     
    Hi Soph, sorry I have only just noticed your earlier answer. If you are the Sophie who spends her time in the OVH with skeletons then we have met, if not I am sorry. It is funny but when I was reading Myers' forward I thought it odd that he referred to Stenton. Myers implies that Stenton is encroaching on his (Myers') turf. I thought that Myers was referring to Stenton's reissue. I didn't put two and two together. It is obvious to me now, thanks to you, that they are contemporaries. I bet dinner with these two would be interesting. Both writing at the same time but with different angles on the invasion/migration theory. Interesting that 60 years later we still don't know which one was right. Have you read "The Tribes of Britain" by David Miles. This one is more modern, published in 2005. Miles is an archaeologist so his book is based around good archaeological evidence, although I know it is still a matter of interpreting that evidence it does make sense. He echoes a point made by Nicci about East Anglians being culturally closer to near continentals than to other Britons. Which kind of agrees with Myers' point about Frisian pottery finds. Can you tell me also, what is this 'grass tempered ware' that is being talked about now?
    thanks, Phil.
    • CommentAuthorSoph
    • CommentTimeAug 13th 2008
     
    Hi Phil
    No - not that Sophie. I guess I'm a sharp old timer, but I only popped in for brief visits this year so I hardly met anybody.
    It's great fun reading the classic experts, but they can get pretty violent about one another can't they! I don't have the Miles book, but I think I've glanced at it in shops, I'll keep an eye out.
    To try and answer your other question, although I haven't looked at the grass tempered wear myself, It's always been an issue that there didn't seem to be much pagan Saxon/early Saxon handmade pottery on Boneyard/Chalkpit fields. We know there are finds of cremation urns all along the valley from the last century, and a few other early Saxon finds although not a lot, but there was no domestic stuff on this site. BUT apparently it now looks like it might not have been recognised, and been mixed in with our Iron Age finds up to now. If this turns out to be the case it will fill in a bit of a blank on some ways.
    If you're asking what it's actually like physically, the answer is that it looks a bit rubbish really - which is why it gets mixed up with the prehistoric stuff! It's fairly basic cooking pots, which have chopped grass mixed into the clay to reduce the chances of them exploding when they're fired. That kind of organic tempering is something it's useful to do if you don't have very good control of your firing temperature. It's funny really, because the same communities could make Urns so well formed and fired that they look just like thrown pots. It looks therefore as if that was a specialist job for just a few potters who sold over a wide area, and maybe every village made it's own rubbishy cooking pots!
    Anyway I should do some of the work I get paid for, not that this isn't more interesting...
    Soph
  1.  
    Grass tempered ware pottery. Some people will know that a few sherds of pottery have been identified by an expert as "grass tempered ware, early anglo-saxon" As a direct result of this classification a small sub-committee of Sally,Nicci Ann and myself have been given the task to examine all pottery from Boneyard since the start of the Sedgeford Project which at present is classed as Iron Age. We are specifically looking for "grass tempered ware" this will be separated and then sent to an expert to see if it is early Saxon or Iron Age pottery.
    Anybody who has handled pottery which includes prehistoric pottery and has attempted to divide into fabric groups knows the difficulties very well. A large sherd for instance can show a size range and frequency of temper that can vary widely across the pot, conversely a small sherd could be put in a fabric group which might not have been selected had more of the pot been available to study. However our task is just to separate "grass tempered ware" for the expert to decide.
    Many samples of Iron Age Pottery contain sand and vegetable matter. The vegetable matter can be long or short lengths of chopped grass or chaff and is sometimes seen as impressions on both surfaces of pots and in the clay matrix.
    I think we should at least keep an open mind on this "grass tempered ware" until the sub-committee has done its work and the experts have given their opinions.
    John
    • CommentAuthorSoph
    • CommentTimeAug 14th 2008
     
    Absolutly, we need to wait and see. I was just trying to outline the issues involved. Incidently I'm really looking forward to seeing the results so that I can update the conclusions of my old survey of the pre-conversion finds from the parish - it never rang true to me that there was so little on the main Sharp site.
    Soph
    •  
      CommentAuthorphil
    • CommentTimeAug 14th 2008
     
    Not wishing to be too negative, is the call 'grass tempered ware' another example of the infamous 'ritual' or 'pallisade' red herring?
    •  
      CommentAuthorphil
    • CommentTimeAug 14th 2008
     
    Sorry, red herring implies some sort of deception. I simply want to know how often grass tempered ware is mentioned only to find that it is a false alarm? In this instance obviously, as John points out, time will tell but how often is grass tempered ware found in relation to how often it is suspected? Not just at Sedgeford but elsewhere in England.
    • CommentAuthorSoph
    • CommentTimeAug 14th 2008
     
    I'm not sure what you're getting at? If you're asking how common grass tempered Early Saxon pottery is, in East Anglia or elsewhere, I have absolutly no idea - but it would be perfectly possible to find out. As far as I remember we haven't had much discussion of particular fabrics in the past, just of the oddness of there not being much early material. I'm no kind of a pottery person, and I suspect there could be several relevant fabrics in this discussion, but I wouldn't know what they were!
    Soph
    •  
      CommentAuthorphil
    • CommentTimeAug 14th 2008
     
    I understand that grass tempered ware is not at all common. What I am asking is how often do archaeologist think they have some only to discover on investigation that it is something else? I do appreciate what John is saying about the difficulties of identifying it. I need to reiterate where I am coming from. Until 6 weeks ago I had no interest whatsoever in the social and domestic life of the sedgefordians. My interest has always been military history and defence. Then I did a BERT, something I have planned and wanted for many years. Now I want to know all about the people of sedgeford. Ask my fellow berties and they will tell you that I was so enthusiastic that they had trouble shutting me up! Every animal bone or tooth and every piece of pottery interested me. I was even enthusiastic about the stratigraphy. Before BERT I was reading archaeological text books and military history. Now I am reading about the everyday life of iron age/romano british and anglo-saxons but it is all new to me. Ask me about the hundred years war, the wars of the roses or the napoleonic period and I know my stuff. My BERT was a way for me to enter into battlefield archaeology. Maybe later I'll get round to that. For now I can't wait to get back to sedgeford and dig some more. In fact if I could I would like to be more involved now.
    phil.
    • CommentAuthorSoph
    • CommentTimeAug 14th 2008
     
    The problem then, is that I really doubt that there's any way of getting an answer to your question! We wouldn't know if other teams had thought they had it and then been proved wrong - it's not the sort of thing you'd mention in a report. You tend to only see the end of the identification process in publications, not the route taken to get there. I suppose since there are not huge numbers of experts able to do the pottery work for each period most projects will be approaching the same few, but even they would only be able to tell you on a personal, anecdotal, basis...
    Soph
    •  
      CommentAuthorphil
    • CommentTimeAug 14th 2008
     
    Point taken. Here's one you will be able to answer....who or what is Gressenhall?
  2.  
    What I think is more interesting about the pottery is that high quality cremation urns were produced though rubbish pottery was produced for every day use. Why did the dead get the good stuff. Was it part of the ritual or was it a means of removing surpluses from the system. There seems to be a lot we need to understand about their life.

    Dave the D
    •  
      CommentAuthorphil
    • CommentTimeAug 14th 2008
     
    Are there cremation urns from Sedgeford? Maybe the good stuff was just too delicate for everyday use?
    • CommentAuthorJerry
    • CommentTimeAug 15th 2008
     
    Just because a pot is hand made and tempered with grass doesn't have to mean it is rubbish. If you think about it the pottery used for cooking or transport of goods has to be more robust than that used for cremation. A cooking pot would have to survive daily handling and a pot used for transport would have to cope with being loaded & unloaded from boats & pack horses. A cremation urn is unlikley to experience such stresses.
  3.  
    Jerry thanks for your comments. An interesting insight and I had not been looking at it that way. If the type of pot manufacture is based on the use of the pot it suggests that they really understood the technology and seems to say something about their development and knowledge.
    • CommentAuthorSoph
    • CommentTimeAug 15th 2008 edited
     
    Evidence does suggest that the Urns are specialist manufacture, made by just a few potters and used over a very wide area. Studies have even suggested the same potter, tracked through the individual carved stamps they used which are unique, had pots scattered across the whole of East Anglia. There is even a suggestion of matches across the North Sea. An urn maker and a domestic potter are not likely to be the same person - although I agree with Jerry, it doesn't mean the domestic potters didn't work perfectly well, it was wrong of me to use the word rubbish - I just meant not great looking as finds!
    (And yes - there are some really interesting Urns from Sedgeford, but not from the Boneyard/Chalkpit area. One is a unique find, where the decorative scheme has been altered between drying and firing, and it's crucial in debates about the 'meaning' of the decorative schemes on Urns. Unfortunately because they are all preWW2 finds most of them don't have very close published findspots. I did a lot of work a few years ago to refine the findspots but there is only so far you can go - I would however bet my life none are from very close to BYD/CPF.)
    Soph
    (Phil, Gressenhall is the name of the village where Norfolk Landscape Archaeology, the Norfolk County Council archaeology section - not the Unit - are based. They provide a finds identification and recording service, and keep the HER. That's what people are referring to.S)
    • CommentAuthorJerry
    • CommentTimeAug 15th 2008
     
    I was reading K Leahy's book on Anglo-Saxon Lincolnshire last night. He mentions a number of funeral urns found in the county that might have originated in East Anglia and I think he mentioned a manufacturing site but I can't recall where. I'll look it up when I get back home tonight.
  4.  
    I have not read Kevin Leahy's book but I have a recollection of seeing the connection mentioned in another book but I cannot remember which one. The best I can do is Sam Lucy The Anglo-SaxonWay of Death mentions on page 114 that identical cremation urn lids were found at Baston Lincolnshire and Drayton Norfolk.
    On a more general note I am always a bit uneasy about the Lincolnshire cemeteries as several contain odd features. I wonder if this represents more of an Iron Age or Romano-British influence. However I could be biased on this as I consider there was a Lincolnshire version of Brythonic
    • CommentAuthorJerry
    • CommentTimeAug 15th 2008
     
    I've reread the chapter in Leahy's "The Anglo Saxon Kingdom of Lindsey" and I've misremembered it somewhat. They've found a funeral urn in Cleatham Lincolnshire that was made by the same potter as two urns found at Spong Hill in Norfolk. He did not claim they were made at the same site.
  5.  
    I still cannot recollect where I saw the reference though I have found another piece of the puzzle. In Lincolnshire History & Archaeology Vol 39 2004 there is a report of excavation of an early Anglo Saxon cemetery at Quarrington near Sleaford. On page 38 there is a reference to some pots stamped with a left facing wyrm design and the only other known sites for this stamp are Loveden Hill and Cleatham both in Lincolnshire, Spong Hill Norfolk and Girton Cambridgeshire.
    • CommentAuthorSoph
    • CommentTimeAug 18th 2008
     
    The thing is, it's not just the same design of stamp that matters, but the same individual stamp - because they are hand carved each one is different, so they can be traced like coin dies. That's how 'potters' (or maybe workshops) are traced. The networks are now quite extensive, but there is still the issue of locations for many of the early finds of Urn. We generally know what parish they came from, but often now where in the landscape compared to other sites, as at Sedgeford.
    Soph
  6.  
    I fully agree with your comments but I consider that it raises further questions of why there are these networks. In the example I quoted there is an unusual wyrm design found at four geographically dispersed locations. Therefore does the network represent extended family connections, does it represent some other type of connection such as trade, is there a ritual element involved or was it just a fashion statement. I am not sure that it is possible to answer this though if a number of networks were examined it might produce some clues.
    • CommentAuthorSoph
    • CommentTimeAug 20th 2008
     
    Well there are lots and lots or articles about what it might mean if you want to get stuck in!
    In fact there are going to be a lot more now, I stopped looking at them in detail about five years ago after my masters, but you could do worse than to start with the list of references provided here: http://bubl.ac.uk/docs/bibliog/biggam/
    Soph
  7.  
    Many thanks for the link. It looks like some interesting material and a lot of it.
    • CommentAuthorEve
    • CommentTimeAug 26th 2008
     
    English Spring:
    When do the leaves come out on the trees in the spring in England ?
    When would crops start to grow ?
    Saxon calendar:
    Anyone know if the months as we know them were introduced into the Saxon language by Christianity ?
    • CommentAuthorEve
    • CommentTimeAug 26th 2008
     
    Saxon baking:
    In Medieval illustration bread always seems to be loaves baked in an oven, but I reckon that in your average cottage/house like the ones at West Stow with an open hearth bread might have been flattish and baked in a pan over the fire or coals, like a pancake or something. Anyone have a better idea ? I should've asked the folks in funny dress at West Stow.
    • CommentAuthorEve
    • CommentTimeAug 26th 2008
     
    More English Spring questions:
    Are nettles available all year ? In March ?
    What about hawthorn leaves ? I've read you can eat those. Are they out in March ? April ?

    I'm trying to put together a plausible scenario of crops being sown, little food left after winter with a bit of gathering of wild plants being possible and a kid (baby goat) still sucking and too young to be worth slaughtering, but old enough for the mother to be milked without depriving the kid too much.
    Does this all sound plausible ?
    • CommentAuthorSoph
    • CommentTimeAug 27th 2008 edited
     
    Morning Eve!
    Ok, in an average pre-climate change year you can expect the leaves to start late in February in the south of England, and have 'bread & cheese' (Hawthorne leaves) in March, they're a bit big to eat by April. In northern Britain bannocks - which are griddle loaves, were common but not in the south. We seem to have gone in for specialised baking pretty early on, and not baked that often - you'd be eating pretty hard bread a lot and 'sopping' it in your soup to soften it. Nettles, in the South, are around all the time except the dead if winter, but only worth eating when young - say March to May. Early spring you're looking at a lot of wild greens to clear out the system after winter - still traditional in some places.
    Anglo-Saxon calender: There's a lot of research in to this, and it's not quite that simple. The month names change in a couple of phases. Have a look at:http://www.lynnellen.co.uk/months.htm for the early names and http://www.gadarg.org.uk/essays/e007.htm (scroll down to 'The English Year') for what happened next. Personally I very much doubt that the month names would be useful to the average rural community - the season names are more important.
    Is that useful?
    Soph